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"Atlas 200 loves Buster Keaton "

Work exhibited at the meeting of 10/06/2009, is to an animation in which 145 photos were used. The film is made of images that succeeds. In this video we can see the difference in ironic manner of movement between the film and the actions of the fan they make us reflect on the images the time and speeds .
Lavoro Esposto alla sitting of 10/062009, this is an animation in which they were used 145 photographs. film is made of images that follow. In this video we can see in an ironic way the differnt types of movement between the film and the actions of a fan which make us reflect on the meaning of images, times and speeds.

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"Atlas 200"
(video prototype)

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"Chez-moi the pleut moins "

Works presentation at the meeting of 03/06/2009. The city seen through the eyes of a stranger .
del Lavoro Esposto alla seduta 06/03/2009. La città vista attraverso lo sguardo di uno straniero.

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"our body moves in space in which we are immersed"

T ork exposed to meeting 29 April 2009. This is a video in which the report is analyzed body-space-environment and other body-body . Made in the countryside of northern Italy, this little movie develops around a pond that becomes the main component analysis and discovery of bodies, objects, space and relationships.

Lavoro Esposto alla del 29 aprile seduta 2009. If tratta di un video in cui è analizzato it rapporto-corporeal spazio ambiente e altri corporeal body. Tional campaign Realizzato del Nord Italia, questo piccolo film if sviluppa attorno ad una che peschiera SUPPLIES the principal elemento di analisi e scoperta del corpo, degli oggetti, e dello spazio delle loro Relazioni.

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method

• always use all available references during the course, having the same "way work " artists discussed in class.

• always ask simple questions and basic .

• humor as a means to overcome obstacles.

constraints

As in any real work we need to impose constraints.
they should not be seen as an obstacle, but rather as a good impetus for success (he also does not say that the rules must be complied with).

Here is a list of constraints that guide my work:

• work with SENSATIONS , how we perceive space?
  

• using mostly recordings made by me rather than existing ones.

• report sone-image, what image we want to produce?

• bring to each session something concrete, visible, beyond the pure recording.

• produce a documentary .

• produce video.

• work with sensations .

• always try new techniques if possible.

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Muro sonoro

presentation at the meeting of March 25, 2009
(work poorly managed )
lavoro seduta Esposto alla del 25 marzo 2009




prototype

both baffles transmitted sounds recorded in several places and buildings City of Paris
i due suoni registrati dei autoparlanti trasmettevano in luoghi differenti ed edifici della città di Parigi

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response exposure "Stones released" Jimmie Durham
risposta all'esposizione "rejected stone" di Jimmie Durham

Work exhibited at the meeting of March 11, 2009. I decided to respond to exposure Durham using the same language. The moment pas bien que je n'avais arrive on Qu'est-ce que devait donner comme j'ai agi comme répondue Durham, j'ai une pierre contre mon ignorance jete en la vainquant.

work exhibited at the meeting of 11 March 2009. I decided to respond to the exhibition of his Durham using the same language. Since I did not understand what kind of response you had to have acted as Durham won my ignorance by throwing a stone over .

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démonstration était d'être à l'exposition "Stones released" by Jimmie Durham
di essere stato Dimostrazione all'esposizione "rejected stone" di Jimmie Durham

Work exhibited at the meeting of March 11, 2009. The aim was to show that having gone to see the exhibition of Jimmie Durham at the Museum of Modern Art in Paris. It iétait prohibited to take photographs in the exhibition.
The idea was to save my mp3 player with some works of Durham consisted videos transmitted television.
You may also feel les pas des gens et ma voix qu'ils font de fond aux enregistrements.

work exhibited at the meeting of 11 March 2009. The objective was to demonstrate that they went to see for himself the exposure of Jimmie Durham at the Museum of Modern Art in Paris. It was forbidden to take photographs in the exhibition. The idea was to record with my mp3 player works by Durham that consisted of video broadcast on television. E 'can also listen to recordings made in my voice and people in the background.

enregistrements Exposure
Registrazione dell'esposizione

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my window
la mia finestra

Work presentation at the meeting of March 11, 2009. This is a picture taken at the window of my apartment the evening of March 9, 2009.
It was mandatory to make a picture in which we saw at least part of the window. One day
hanging clothes at the tail curtains to refresh my d'avoir découvert en fenêtre the element becomes an armoire.
work exhibited at the meeting of 11 March 2009. this is a photo taken at the window of my apartment on the evening of March 9, 2009. He was required to make a picture where you could see at least part of the window. A giornoappendendo my clothes to the bar tends to cool off, I realized that you have turned the item box in a closet.