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method

• always use all available references during the course, having the same "way work " artists discussed in class.

• always ask simple questions and basic .

• humor as a means to overcome obstacles.

constraints

As in any real work we need to impose constraints.
they should not be seen as an obstacle, but rather as a good impetus for success (he also does not say that the rules must be complied with).

Here is a list of constraints that guide my work:

• work with SENSATIONS , how we perceive space?
  

• using mostly recordings made by me rather than existing ones.

• report sone-image, what image we want to produce?

• bring to each session something concrete, visible, beyond the pure recording.

• produce a documentary .

• produce video.

• work with sensations .

• always try new techniques if possible.